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Waltz: Gordon Stout

from Groundlines by Thomas Burritt

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Written for Doug Johnson Waltz in many ways typifies Stout’s compositional language. Here, articulation (tenuto markings, metric pulse, long phrase) markings dominate the compositional process. Constant tension exists between the “waltz” feel and the irregular duple and mixed meters. While Waltz holds its own it behaves even more effectively as a “pseudo scherzo”, sitting in the usual 3rd movement position in a four movement “pseudo symphonic” work. Mallets Used: 1 Malletech CN4 in mallet slot 1, 2 Malletech TB 11’s in mallet slot 2-3, 1 Malletech TB 14 in mallet slot 4.

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from Groundlines, released August 30, 2012
Sound Engineer: John Parks IV
Assistant Sound Engineer: Justin Alexander

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Thomas Burritt Austin, Texas

Currently Professor of Music at the Butler School of Music, University of Texas at Austin. Concert Marimbist, Solo Percussionist, and Chamber Musician Host of Percussion Axiom TV, Co-founder of DrumChattr, a social percussion site that builds community and aggregates on-line percussion content. In 2009, was nominated for a Grammy. ... more

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